Remarks of Enid Krieger Regarding “Lift Every Voice and Sing” at February 22 Worship
Wednesday, March 4th, 2009Feb. 12, 2009, Abraham Lincoln’s birthday, the NAACP turned 100 years old — just a few weeks after Barack Obama was sworn in as President of the United States. In the Spring of 2000 another milestone was celebrated with the publication of the book, “Lift Every Voice and Sing”, edited by Julian Bond, Chairman of the Board of the NAACP and Sondra Kathryn Wilson, the executor of James Weldon Johnson’s literary estate in celebration of the 100th birthday of the song of the same name. The book is a collection of over 100 essays by prominent African Americans offering their thoughts about the songs’ impact on them.
“Lift Every Voice and Sing”, adopted by the NAACP as “The Negro National Anthem” in 1919, was originally written as a poem. It was publicly performed in 1900 by 500 schoolchildren at the segregated Stanton School in Jacksonville, FL where James Weldon Johnson — poet, songwriter, and lawyer — was the Principal. The school was celebrating Lincoln’s birthday and Johnson wrote the words to introduce their honored guest speaker, Booker T. Washington. Five years later, the poem was set to music by John Rosamond Johnson, James’ brother, and it became a way for African Americans to demonstrate their courage, patriotism, and hope for the future.
James Weldon Johnson’s face was very familiar at the NY Headquarters of the NAACP in the 1920’s when he was the Executive Secretary. He worked alongside other well-known African Americans: W.E.B. DuBois, the editor of the organizations’ Crisis magazine and Langston Hughes, who wrote the first history of the NAACP. Julian Bond, as a young student, was also a member of the NAACP and led the activist Student Nonviolent Coordinating Committee. He returned to the organization in 1998 as the Chairman of the board.